Пока Листобой и еще 2-3 дрона кусали меня за зад низачто, Я натолкнулся на интересную статью Симеона Сендифорда о оценке аудиофильнх систем.Мне понравилися набор критериев автора для определения уровня акустики.
3 основных параметра Звук, Технические характеристики, Исполнение.
Оценки следующие: Exceptional, Good, Satisfactory, Poor.
Я в уме пробежался по акустике, которая у меня была и скажу- тест работает. Только в сторону хм... да... это моя акустика. Да уж....
Просьба указать вашу акустику и поставить себе оценку честно.
И так вот тест:
Sound
Exceptional
Deft interplay between voices and instruments in three dimensions
Hyper-finely delineated, coherent, balanced, layered soundstage
Total absence of coloration and any tendency for listener fatigue
Seemingly unconstrained dynamic range, lightning-fast transient response
Intrinsic ability to resolve micro detail and complex passages fluently
Quantitatively visceral, oomphy reproduction of bass and percussion
Unforgettable, serendipitous aural memories for the listener
Surreal, palpable articulation and ruthless delivery of the musical truth
Uncanny ability to teleport the listener to the original event
Good
Dexterous interplay between voices and instruments in three dimensions
Finely etched, balanced, coherent, heterogeneous soundstage
Noticeable absence of coloration and any tendency for listener fatigue
Extremely wide dynamic range and crisp transient response
Ingrained ability to resolve micro detail and complex passages
Qualitatively visceral, vivacious reproduction of bass and percussion
Explicit, opportune, aural memories for the listener
Unblemished articulation and impeccable delivery of the musical truth
Inherent potential to sustain heightened listener interest
Satisfactory
Nimble interplay between voices and instruments in three dimensions
Clear, balanced, coherent, blatant soundstage
Barest minimum of coloration and the tendency for listener fatigue
Limited dynamic range and a tendency for transients to overhang
Reasonably competent at resolving micro detail and complex passages
Meek reproduction of bass and percussion in the final octave
Impressive, pleasant aural memories for the listener
Cogent articulation and concise delivery of the musical truth
Distinct confirmation of encouraging signs of listener enthusiasm
Poor
Veiled interplay between voices and instruments in three dimensions
Imprecise, constricted soundstage, not sufficiently coherent or balanced
Verification of coloration and the tendency for listener fatigue
Evidence of constrained dynamic range and sluggishness
Some difficulty in resolving micro detail and complex passages
Non-testicular reproduction of bass and percussion in the final octave
Pleasant, satisfying aural memories for the listener
Lucid articulation and pleasant delivery of the musical truth
Arbitrary illusions of unfulfilled listener interest
Technical
Exceptional
Unhindered, substantially linear frequency response
Unmitigated low-frequency extension (last octave)
Seemingly unrestrained acoustic output reserve capability
Vanishingly low harmonic and intermodulation distortion
Ethereal transient response and reproduction of sibilants
Innately compatible with all high-end amplifiers
Good
Extended, generally smooth frequency response
Generous low-frequency extension (last octave)
Abundant acoustic output reserve capability
Ultra-low harmonic and intermodulation distortion
Superb transient response and reproduction of sibilants
Substantially compatible with most high-end amplifiers
Satisfactory
Trends toward flat frequency response
Partial low-frequency extension (last octave)
Limited acoustic output reserve capability
Audibly low harmonic and intermodulation distortion
Crisp transient response and reproduction of sibilants
Primarily compatible with most high-end amplifiers
Poor
Corrugated, nonlinear frequency response
Restricted low-frequency extension (last octave)
Truncated acoustic output reserve capacity
Audible harmonic and intermodulation distortion
Insubstantial transient response and reproduction of sibilants
Moderately compatible with most high-end amplifiers
Build Quality
Exceptional
Unblemished design and engineering, robust packaging
Impeccable workmanship and trendy, tasteful, tangibly tactile finish
Comprehensive, preferably multi-lingual owner's manual
Blanket or unconditional warranty and after-sales service
Entrenched, prestigious, universally recognised brand name
Highly proficient, motivated, professional distribution network
Excellent, frequent reviews from renowned audio journalists
Price range unequivocally accepted by all stakeholders
Good
Brilliant design and engineering, solid packaging
Immaculate workmanship and stylish, superb, solid finish
Thorough, preferably multi-lingual owner's manual
Extensive warranty and after-sales service
Established, high-profile, universally recognized brand name
Well-organized, enthusiastic, professional distribution network
Commendable, timely reviews from renowned audio journalists
Price range universally approved by consensus
Satisfactory
Competent design, engineering and packaging
Refined workmanship and classy, proficient, elegant finish
In-depth owner's manual in at least one language
Universally accepted standard warranty and after-sales service
Well-known, hard-working brand name
Competent, eager, professional distribution network
Favorable, occasional reviews from renowned audio journalists
Deemed aptly suitable for price range
Poor
Undemanding design, engineering and packaging
Neat workmanship and conservative, basic, trim finish
Non-detailed owner's manual in one language
Limited warranty and after-sales service
Low-profile, questionable brand name
Diminutive, unreachable distribution network
Sporadic or poor reviews from renowned audio journalists
Considered overpriced
Я протестировал всю акустику, которая у меня была и немного скис.
Перед вашим тестированием зайдите сюда (мне понравилось, великолепное оборудование, настоящий американский размах, свои динамики, бескомпромисно.) Но как звучит? Не слушал.
Экскурс по фабрике Magico (реальный американский хай-енд)
http://www.soundstageglobal.com/index.ph...Itemid=152
и фабрика YG (которые считают себя №1 в мире)
http://www.positive-feedback.com/Issue55/yg_tour.htm
Ну как ваша акустика не очень?
Никому не посоветую стать производителем. Хотя ....
