Медиаплеер - муки выбора.
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Дмитрий Медведев
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Boostaddict
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RE: Медиаплеер - муки выбора. / 07-05-2014 12:06
(06-05-2014 19:12)vd-two писал(а): _http://www.diyaudio.com/forums/digital-source/222596-oppo-s-bdp105-discussions-upgrading-mods-20.html_
из данной страницы:
I'm doing ABA comparisons with my current player, a BAT VK-D5SE (very fine analogue stage, badly outdated digital section) and noting how the relative sound changes (same balanced interconnects for both, same length, feeding same preamp (BAT VK-52SE), amp (BAT VK150SE monoblocks) and full-range stereo speakers (Von Schweikert VR-4 Mk III).
As often with new components, the out-of-the-box sound was tight and "plastic-y" with poor differentiation between attack, sustain, decay tail (short), and reverberant components (attenuated) of single notes at all freqs. Plucked bass (acoustic or electric) was not boomy but "rubbery" in perceived quality. I'll spare you the blow-by-blow on changes but note that the perceived frequency balance has shifted (and continues to shift) in various ways, the clarity and articulation have developed dramatically, and the soundstage has become more and more distinctive to each recording--an excellent thing. Good recordings are beginning to have remarkable depth (if present in the venue) and specificity of instrumental and section placement. I can hear interference "beats" between two instruments playing the same note or between the reverberant sound of two piano notes with a clarity I've never heard from any digital source. Instrumental timbres are already quite lifelike and with remarkable differentiation. One of my references for this is the landmark David Jones recording of Ivan Moravec's Bösendorfer on his first Chopin disc (Connoisseur Society LP, VAI CD). The subtleties of the piano's voicing through the different registers, attacks, and pedal techniques are very revealing, and the 105 is beginning (in the last dozen hours of signal or so) to have a very natural balance (including the dramatically extended and resonant bass octaves of the Bösendorfer Imperial) as well as a more fine-grained harmonic texture than I've yet heard.
I'll wait for another 100 hours of signal before drawing real conclusions (haven't yet listened to discs recorded in my familiar local venues, for instance) but this is a noteworthy unit even in stock form. Based on listening so far (articulation and low-level detail), the DAC implementation itself must be pretty close to state of the art, and I'm keen to hear what effect (if any) alternative clocks and various analogue stage changes have on its ability to reach its full potential.
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petr.solo1223
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